Richard Hurford’s modern spin on the legend of Robin Hood is just what we need right now. From its diverse cast to its feminist hero profferings, this heartwarming production directed by Damian Cruden and Suzann McLean is fun for all the family; even that uncle with the cold, black, anti-panto heart.
Joanna Holden. Photo by Anthony Robling.
From the moment you enter the foyer, your experience of the show is a magical one; enhanced by an aviary soundtrack, brightly coloured flags and a children’s dress-up corner, placing you right in the heart of medieval Sherwood Forest.
In a refreshingly feminist take, both communities dwelling in Sherwood Forest are matriarchal (whether they realise it or not), being lead by Maid Marian (the talented Siobhan Athwal) and ‘Little John’ (seasoned comedic pro Joanna Holden). The majority of the core-cast goodies are people of colour; Friar Tuck being played by the vibrant Trevor A Toussaint. The tongue-in-cheek humour is well-placed and well-delivered. The subversion of expectations accompanied by a mixture of lounge funk and rap in Rob Castell’s adorable score make this a Hamilton for all ages. Indisputably love-to-hate-able baddies the Sheriff of Nottingham and Guy of Gisborne are played by John Elkington and Ed Thorpe (also the Musical Director) respectively.
Marian is The Woman Behind The Man, or rather the woman behind the legend of Robin Hood (charming stage newbie Neil Reynolds). The show makes no bones about the fact that she is motivated and competent, while Robin is lazy and inept, and right down to Robin’s moment of surprise at an impromptu, matter-of-fact outing of several merry men as Actually Girls Too, it celebrates capable women without making a fuss about it.
Although it avoids undermining its own message in the comedy, unlike so many modern family tales afraid of picking a political side, it does do this somewhat in the third act, introducing a hitherto unheard-of (and uncharacteristically dark) threat in order to turn Marian’s heroism into fragility, bound by her maidenhood and in need of rescuing. Granted; the message is, “It takes a village”, rather than that all women need a knight in shining tights, but it feels like more negotiation of its own feminism than is necessary.
Possibly the most rousing sentiment is Marian’s “I know I’m not enough” – an obstacle that all who strive come up against. She is the hero every little girl and boy needs, and maybe they can in turn give her a lesson in taking credit where it’s due. There is a note in the programme about the passing on of a legend, and the various re-tellings we encounter in each generation, and this show makes its joyful mark in the evolution of Robin Hood.
Performances run until 2nd September, 7pm (Tuesday & Thursday – Saturday), 2.30pm (Wednesday – Saturday), tickets available from www.yorktheatreroyal.co.uk